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the young director working on a production of David Halliwell's then recent play Little Malcolm and his Struggle Against the Eunuchs is clearly recognisable as Tony Robinson, later of Baldrick and Time Team fame.
"In later years Bob told me he felt the gods were with him because he couldn't have got that experience anywhere else. At the same time the new leads at the Rep were Michael Gambon and Brian Cox so it was an exciting time to be in Birmingham."
"My first technical assistant stage manager was Bob Peck. I can't imagine anywhere else at that time that was free to allow the technical ASM to be playing leads just because he was great.
"He was criticised in his lifetime for what he wasn't, but he was never going to be the Richard Neville of Birmingham. What he did was to bridge the cusp between the aspirations of those who fought the Second World War and the new generation who were looking for a Balenciaga Bag 2017
In the photographic archive in the Post Mail you can still find a neatly typed letter from the then publicity officer of the Midland Arts Centre, suggesting a photo opportunity with a 22 year old theatre director.
While there he worked with the puppeteer John Blundall, who as well as being director of the Cannon Hill Puppet Theatre also designed for the flesh and blood actors. In turn, Robinson directed the puppets in Dick Whittington.
"That was reported by your good selves and of course, as always in showbusiness, that made it the hottest ticket in town."
"I had been a child actor, so I had been acting for a decade and went out into rep for a few years, and it seemed to be something I could do. So he applied for an Arts Council bursary for me for the next year, and then the director of productions left and now this callow 22 year old found himself in charge."
Little Malcolm was his first production, and he recalls: "It was a perfect show for me to do because it was about a callow, pontificating 22 year old.
Mac closes its doors next Sunday for its major 13.6 million rebuilding programme. Actor and TV presenter Tony Robinson recalls his early experience of directing Mac's resident company.
very different kind of lifestyle.
This unusual survival from the days when Mac had a resident professional theatre company is filed alongside the resulting picture. Despite the elapse of 40 years, Balenciaga Giant Gold City Review
"The whole criticism that I remember of Mac was that it was 'bourgeois' a term of cultural abuse. I think it's only now that people can look back at those early years and realise how extraordinary they were.
"That went down enormously well, particularly because I used the unexpurgated version which had a number of four letter words in it. You can imagine, the teachers coming from the local convent school were outraged and led their charges out rather ostentatiously.
"John English was a real visionary and he understood an awful lot which we young people didn't understand about the direction that Britain was going to go in. He was the first person I heard talking about what people would need and require when they had more leisure time.
"I first went up to Mac as an actor in about 1966 67," Robinson recalls. "At the end of that season I directed a spoof revue which took the p out of John English [Mac's founder director], and he asked if I would like to have a go at directing the company.
By 1968 the counter culture was in full swing, even in Birmingham. That was the year that a group of disgruntled members of Mac's Arts Club split off to form their own arts centre, the Birmingham Arts Lab.
Robinson just missed Mike Leigh, who had gained some of his own early directing experience at Mac the year before he arrived at Cannon Hill.
friendly with quite a few people who were involved in the Arts Lab, because I shared Balenciaga Backpack 2017 a lot of their concerns at the time about some of the direction the Mac was going in.
memories of the Mac
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