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The concerto was Hummel's for trumpet, something and nothing musically, but demanding a virtuoso response from the soloist. And Stephen Lee rose nimbly to the challenge, his tone bright and well projected, his tonguing and trills impressively articulated. Richard Laing drew a warm. adroit collaboration from the orchestra.
But it was bizarre that this second rate concerto (with its unashamed pinches from a somewhat greater work, Mozart's Piano Concerto no.21) came last in the evening (scarcely Brahms' Second Piano Concerto, which would command such a position); and that Haydn's Farewell Symphony shouldn't fill that place, where the players stomp off by turns to remind their employer that they want to go back home.
The symphony was tautly delivered, despite some tentative entries, with warm toned horns in the Trio. There was a similar energy to the Sinfonia's account of Mozart's delicious Symphony no.33, Guess Bags Blue
Midland Sinfonia at The Artrix
lilting and affectionate, alert and zingy.
And grumbles to the Artrix. Its car park is a boon, but the visuals in the auditorium are depressing. And why didn't the bar staff take interval orders? The queue, from two simultaneous events, was like a Boxing Day sale, so I didn't bother.
Saturday's programme was an attractive one, but its order was wrong, and it didn't inspire confidence to see instrument cases stashed away in stage corners, empty chairs with Guess Delaney Zip Around Wallet
The Midland Sinfonia has a lot going for it in terms of technical expertise, disciplined youthful enthusiasm and a highly inspiring music director, but this self styled "Professional Orchestra from the Heart of England" could do a lot more to sharpen up its act in terms of stage presentation.
Wagner's intimate, loving Siegfried Idyll could have come over with more expressiveness. A conductor's left hand is there more than just merely to mirror the right one, and Laing could have done far more to coax out the Guess Handbags 2017 Collection
essence of this gorgeous score.
no one to fill them, and the absence of a music stand which forced the concerto soloist to abandon his Guess Red Shoulder Bag music onto the floor, where it lay throughout the performance.
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